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And when Quan points a gun at him while he stands in his suit of enhanced-titanium Mark VI Mjolnir armor, he tells her, “You won’t even dent it. He tweaks the atmosphere control to fix oxygen levels so Quan can stay conscious. He turns off the ship’s signal to try to confuse the UNSC about where they are.
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In response to his concern about how free will causes you to “question everything,” she scoffs, “Someone told you that’s bad? Of course they did.” And so when the UNSC sends the order that he kill Quan, he violates procedure. This fracture is how Quan is able to confront him with his UNSC-ordered murder of her insurrectionist mother and to plant a lingering question about the morality of the organization. We are seeing through John’s eyes now, not the Master Chief’s, and the helmet that runs his diagnostics, command, and control systems is just a tool, not an identity. But once he touches a Covenant relic that unlocks his hidden childhood memories, that tactic falls away. In a nod to the video games’ first-person-shooter style, our perspective aligns with the Master Chief’s in this early fight scene: Text inside his eye guard informs him of damage suffered and threats still outstanding a “scanning” message evokes waiting for an old dial-up connection.
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In the series premiere, “Contact,” the Master Chief is the lead of the Silver Team of Spartans, and although he and fellow Spartans Kai (Kate Kennedy), Vannak (Bentley Kalu), and Riz (Natasha Culzac) neutralize the Covenant forces invading an outpost on the planet Madrigal, they also kill every human there - except for the adolescent Quan.
Thankfully, Halo does away with this silly conceit within its very first hour, and in doing so makes clear that this first season (of two that have already been ordered) will ask questions about who John is, his place within the Spartan program, and whether humanity can coexist with the UNSC’s campaign of stripping colony planets for their natural resources and waging endless war against the Covenant alien force. You do not make Schreiber your star and then hide all that expressivity from us! The Mandalorian already did that with Pedro Pascal, and we’ve suffered enough! The team behind Halo is trying some stuff out, and here is the most important change of all: showing us the Master Chief’s - excuse me, John’s - face. Miranda Keyes and made entirely new such as teenage refugee Quan Ah (Yerin Ha), who dares to stand against the UNSC’s imperialism.īut while Halo hasn’t exactly worked out all its kinks yet, those are silly protests you can feel free to preemptively ignore. We talked about the characters and the world,” Kane told Variety in an explanation of the series’ new “Silver Timeline.” And there could certainly be bad-faith complaints about how many of Halo’s driving characters are women: pulled from canon corners like United Nations Space Command admiral Margaret Parangosky (Shabana Azmi) portrayed by BIPOC actors including Olive Gray’s Dr. The most zealous fanboys might not be happy with how blatantly Steven Kane, the first season’s showrunner, distanced the series from its most well-known source material.
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Its arrival has taken nearly two decades of work, $90 million, and a creative approach to figuring out how to distill a first-person-shooter video-game series with dense lore and a sprawling canon into an hourlong TV series.
Choosing to hide that face behind a mask … Why? The man can carry an array of looks and lewks, so his casting as Master Chief Petty Officer John-117 in the Halo TV series was a slight cause for concern.
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He was an easy-grinning drug dealer on Weeds a scarred serial rapist, stalker, and murderer on Law and Order: SVU a mustachioed and sadistic prison guard on Orange Is the New Black and a fiendish leprechaun on American Gods.
He was the agonized Nick Sobotka on The Wire with a hangdog expression communicating both that the Baltimore port was in its death throes and that his family was being torn apart by that economic collapse. We all know what Pablo Schreiber’s face looks like. Spoilers follow for the first episode of Halo, “Contact,” which premiered on Paramount+ on March 24.
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